It’s an incredibly brave – or incredibly foolish – person that tries to film a Shakespeare play in under two weeks while officially on leave from work. That Joss Whedon felt he was up to the job should come as no surprise; this is a man who for years has thrived on similar challenges, be it directing a film version of an all-too-quickly cancelled TV series (Firefly) or creating a musical episode for a hit primetime show (Buffy the Vampire Slayer). As a low budget take on a familiar play, it’s an entertaining enough diversion: the low-key approach adds to much to the overall charm. But the flip side of that is there is a slimness to the end product which prevents it from being more fun that it might have been.
Full review: Much Ado About Nothing | TakeOneCFF.com