Ridley Scott’s sci-fi blockbuster (which it now most certainly is) seems to have really divided audiences. There are those who are willing to look past its faults and enjoy it, and those who aren’t and don’t (as far as I’m aware, it has yet to be hailed as flawless). I’ve already reviewed Prometheus at length (over at The Digital Fix), but I’ve now seen it a second time, so for what they’re worth here’s a few additional thoughts which occur to me.
Firstly, I stand by my original view that this is a beautifully crafted and entirely gripping slice of science-fiction. There’s no need to restate the obvious by praising its visuals – Scott is an artist above all else, and even the film’s detractors concede it looks the business. Its willingness to think big and not pander to the lowest common denominator makes Prometheus the most cinematically rewarding sci-fi vision this century has produced thus far.
The two-hour running time for me simply flew by. Indeed, if anything the film is too short. There were several moments where I wished Scott had lingered a little longer, especially in the run-up to the landing on the planet/moon. Remember how unwelcoming that original planet was in Alien? How that ominous mood was gradually built up? This is a film that needs to breathe a little more slowly and a little more deeply, to let the atmosphere really envelop you. I suspect it would be all the more satisfying for it.
Equally some of the characters could have benefited from being fleshed out more. It’s the one area the film genuinely falls down on, which is a shame because Alien is a text-book example of how to sketch memorable characters in a genre film. I liked Idris Elba’s Captain Janek, for example, but without adequate screen time he remained little more than ‘the guy with the accordion’. A script polish could have made all the difference – where’s Dan O’Bannon when you need him?
As for those alleged plot-holes, I didn’t have any significant problems with the narrative. On a second viewing I think the film flows more smoothly, and nagging details about character motivations became less bothersome (although they don’t recede entirely). As for things like ‘Why didn’t Vickers run away to the side of the crashing ship?’ (SPOILER), it seemed to me that she WAS running away to the side, albeit at an angle; the sheer size of the Engineers’ ship doesn’t make it clear how futile her actions were.
This is all just idle fan nit-picking, of course. I suspect Scott is an astute businessman and recognised the need for a tight theatrical cut that came in as close as possible to two hours. But I also suspect a longer version of the film is done and dusted and waiting to be shipped on dvd and blu-ray. I can’t wait to see it, and I’m willing to bet that it will come to be seen as the definitive version of the film, just as the special edition of James Cameron’s Aliens is now viewed as the superior cut of that movie.
Incidentally, you’d be forgiven for thinking early on that Prometheus is actually a remake of Paul W.S. Anderson’s unloved 2004 spin-off Alien vs Predator, which similarly posited the notion that the Xenomorphs had connections with Earth’s long distant past, and that a man called Weyland had known of their existence long before his eponymous company sent Ripley and her crew to investigate planet LV-426. In fact, the AvP films are not only ignored by Prometheus but are cut loose from the franchise altogether (which one suspects won’t be the cause of too many shed tears).
Oh, and if/when the sequel is eventually announced, what are the odds it’s going to be called Prometheus Unbound? You can have that one for free, Sir Ridders.